Instructor: Mary Jameson
Friday, May 9
10am - 4pm
1 session

In this eco based workshop we will be combining the processes of cyanotype and seaweed pressing to create unique works of art on paper. Seaweed Pressing is an art form that dates back to the Victorian Era and has direct ties to coastal towns around New England. Native seaweed is collaged onto paper and flattened in special kits that allow the seaweed to bind into paper with its own adhesive.

Cyanotype is a technique that involves laying objects on paper coated with a light sensitive emulsion and exposing it to UV light. The objects block the rays from exposure and when the paper is developed in a water bath, leave white impressions while the rest of the paper turns shades of blue. Mary will demonstrate both these processes and teach techniques in combining the two for truly unique works on paper.  We will be using dried seaweed and other materials, mostly sources from nature, to create our prints. 

All materials are provided by Mary and included in the Materials Fee.

Mary Chatowsky Jameson is the owner of Saltwater Studio in Newport, Rhode Island. She is an artist who explores the marine environment for inspiration in her artwork.  Her Marine Botanical pressings and collages are created from seaweed and organic elements collected on excursions along the coast and in the tide pools throughout New England. Mary's work was featured in the New Bedford Whaling Museum's exhibit; A Singularly Marine & Fabulous Produce; The Cultures of Seaweed, June 15 - December 3, 2023. In April 2025, Mary will be leading Marine Botanicals; The Art of Seaweed Art Retreat at Mulranny Arts Center in Ireland.

  “In my current body of work, I am exploring marine algae as a contemporary art form.  I collect specimens and organic matter from the intertidal zones along the coast.  Back at the studio I study the shape, texture and color of individual species and start a process of symbiotic layering to create new forms.  At times I do not combine specimens but am responding to the essence of an individual piece of algae.  It may be an essence that embodies the ocean, the unique properties of this organism, or simply my relationship to it at the moment.  A key concept with my work is transformation.  As I create new forms, the known and unknown intersect in a dynamic way to challenge thought patterns.  For most people, seaweed is a nuisance – something to avoid.  My work presents a new awareness for consideration and offers new insights into the mysteries and beauty of the marine world.”